Costume Design | Theater
As Rachel’s first and only experience (so far) designing for theater, this production was an integral part of her grad school education. The design approach involved a visual contrast between a modern working class and a true-to-text 1920’s upper class - with some exaggerated/gender-bending twists - to highlight the enduring struggle and socioeconomic status quo that keeps this classic relevant.
*See Thesis Page for more details about this design process*
UNCSA | 2019
the Hairy APe
In a new School of Drama tradition, fourth-year student Rey Zane directs O’Neill’s expressionistic study of class conflict and the search for belonging ‒ themes that still resonate almost 100 years after the play’s premiere. Starting as a leader among the firemen who stoke coal on a trans-Atlantic cruise ship, Robert “Yank” Smith clashes with an upper-class passenger, sending him on a devastating journey that ends with him questioning his very humanity.
Wardrobe | Theater
UNCSA | 2018
Bernstein’s Mass
By Leonard Bernstein
Costumes Designed by Emily Brink
Wardrobe Supervisor :
Rachel Nicole Anderson
After months of preparation, UNCSA students gave two memorable performances of Leonard Bernstein's "MASS," in honor of the composer's 100th birthday. This mini-doc follows the creative process for three students as they navigate the complexities of this monumental work.